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conclusion for renaissance essay
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The paintings that were done in baroque presented a lot of mobility in them because the subjects were accorded some gestures, unlike in renaissance where the images were stiff. The era of baroque was an outcome of the struggle of the artists who denied a chance to exhibit their talents in the renaissance period. In fact baroque was started by the artists whose work was rejected at the exhibitions of art (Fitzpatrick, 2005).
In this regard, renaissance in art is a period that started from 1400 and ended in 1600 to pave way for baroque style. According to Nash (2008), in renaissance the artists were very conservative because most of their work was based on religion. The major achievement of this period is the emergence of oil paints. During this era artists brought back the ancient styles of art that had been forgotten due to the rise of new styles. The renaissance commenced in Italy and northern Europe. The changes were the results of political stability and economy.
When renaissance begun in Italy the artists shifted their emphasis to the form of human body unlike their counterparts in northern Europe who paid more attention to the surfaces of their works. The European artists were also concentrating on lighting and symbolism.
The emergence of printing press meant that people could share ideas and reserve them in books. It is not art only that was affected by renaissance but the religion too was evolved. The Roman Catholic Church was split into two which led to the formation of the Protestants wing. The rebels were against the oppressive teachings of the Roman Catholic which they perceived to be enslaving them. They thought that they understood the teachings of the Bible after it was printed in their respective native languages.
In conclusion, renaissance and baroque came as a result of enlightenment among artists. We can also say that the artists were very creative and paid attention to detail. If this was not true the various new aspects of art would not have been realized if the artists did not consider doing things in diverse ways as opposed to their predecessors.
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The Medieval Era and the Renaissance period are two of the most well-known time periods of European history. Despite being intertwined in history, the Medieval and Renaissance periods contain vast differences in European culture from one another. These eras are usually either seen as great educational and societal strides made in history, or as periods that simply stunted Europe from reaching its full potential sooner. The Europeans were looking for a system that would work for their growing and changing nation. The combination of the Medieval Era and Renaissance period culminated in a Continent that was educated, experienced, and prepared for the future of the modern ages. Get Help With Your EssayIf you need assistance with writing your essay, our professional essay writing service is here to help!
In conclusion, the Renaissance was one of the most inspirational and innovative eras of the history of Europe. Numerous achievements in science and art were made. Therefore, it is necessary and important to preserve the heritage. The management of the museum, firstly, represents the professional point of view, and secondly, it prepares information and organizes the work of the maintenance. The changes in museum management have resulted in an expansion in the role of top management during strategic planning, and its most effective approach is the method of preservation.
Other periods of cultural rebirth have also been termed "renaissances", such as the Bengal Renaissance, Tamil Renaissance, Nepal Bhasa renaissance, al-Nahda or the Harlem Renaissance. The term can also be used in cinema. In animation, the Disney Renaissance is a period that spanned the years from 1989 to 1999 which saw the studio return to the level of quality not witnessed since their Golden Age of Animation. The San Francisco Renaissance was a vibrant period of exploratory poetry and fiction writing in that city in the mid-20th century.
I have added an essay on Winckelmann, as not incongruous with thestudies which precede it, because Winckelmann, coming in the eighteenthcentury, really belongs in spirit to an earlier age. By his enthusiasmfor the things of the intellect and the imagination for their own sake,by his Hellenism, his life-long struggle to attain to the Greek spirit,he is in sympathy with the humanists of an earlier century. He is thelast fruit of the Renaissance, and explains in a striking way its motiveand tendencies.
"It is from yourself that the subject is taken. Our intercourse has beenshort, too short both for you and me; but the first time I saw you, theaffinity of our spirits was revealed to me: your culture proved that myhope was not groundless; and I found in a beautiful body a soul createdfor nobleness, gifted with the sense of beauty. My parting from you wastherefore one of the most painful in my life; and that this feelingcontinues our common friend is witness, for your separation from meleaves me no hope of seeing you again. Let this essay be a memorial ofour friendship, which, on my side, is free from every selfish motive, andever remains subject and dedicate to yourself alone."
The Civic Club dinner significantly accelerated the literary phase of the Harlem Renaissance. Frederick Allen, editor of Harper's, approached Countee Cullen, securing his poems for his magazine as soon as the poet finished reading them. As the dinner ended Paul Kellogg, editor of Survey Graphic, hung around talking to Cullen, Fauset, and several other young writers, then offered Charles S. Johnson a unique opportunity: an entire issue of Survey Graphic devoted to the Harlem literary movement. Under the editorship of Alain Locke the "Harlem: Mecca of the New Negro" number of Survey Graphic hit the newsstands March 1, 1925.2 It was an overnight sensation. Later that year Locke published a book-length version of the "Harlem" edition, expanded and re-titled The New Negro: An Interpretation.3 In the anthology Locke laid down his vision of the aesthetic and the parameters for the emerging Harlem Renaissance; he also included a collection of poetry, fiction, graphic arts, and critical essays on art, literature, and music.
Like Fire!!, this essay was the movement's declaration of independence, both from the stereotypes that whites held about African Americans and the expectations that they had for their literary works, and from the expectations that black leaders and black critics had for black writers, and the expectations that they placed on their work.
Negational strategies have played an important role in shaping much of the art of this century. It has proven an invaluable tool through which artists have foiled and then reconstructed our expectations and understanding of art. But for Oehlen, style, as the exclusion of other choices, has eclipsed the possibility for painting to achieve a meaningful conclusion through negation. Therefore, if negation is to remain an effective means through which painting can remain a viable form of expression, then its relationship to style must be renegotiated. Toward this end, Oehlen has called into question what is to be negated.
The renaissance brought about cooperation among the people in their agricultural activities as they plowed together so as to access the improved ox plows. Cooperation was also seen in the sharing of knowledge. The sculptors, architects, traders, farmers and the artists frequently traveled and shared the knowledge they had attained bringing about conformity and uniformity to the communities through the emergence of similar ways of doing things. This can be seen in the uniformity of the shapes and modes of construction of churches and the design of the churches (Silder 101).
The emergence of the predominantly urban people was also the effect of the renaissance. This is where people started to live in towns with occupations that were not agricultural in nature and depended on the farming communities for the provision of the food and the agricultural products. The modes of production changed from being predominantly agricultural based to incorporate the industrial and service sector due to the emergence of institutionalized industries. 2ff7e9595c
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